top of page

Education Productions

Our education program offers three productions every season. Two Broadway Our Way productions for students ages 9-18 and our Teens Speak Out production where students ages 13-19 tackle a social justice topic chosen by them. 

The Third Wave

by Joseph Robinette and Ron Jones

Sept. 12 -14 2025

"The Third Wave" by Ron Jones and Joseph Robinette is based on a true 1967 classroom experiment where a history teacher demonstrated how easily fascism can take hold. As students embraced strict discipline and conformity, the simulation spiraled out of control, revealing the dangers of groupthink and the fragility of democracy.

ThirdWaveinstagram.jpg
The-Grunch-Logo-Square-copy-min.jpg

The Grunch

a new children's musical

from Beat by Beat Press

Dec.  6-14 , 2025

"The Grunch" tells the story of Rudy Grunch, a grumpy 6th grader who hatches a plan to ruin his school’s annual musical by stealing the sets, costumes, and lights the night before opening. Inspired by The Grinch Who Stole Christmas, this heartwarming musical shows how the spirit of theatre can win over even the grouchiest hearts.

The Mysterious Case of the Missing Ring

by Janie Downey Maxwell

March 6-8, 2026

A frantic queen’s prized royal ring has vanished, prompting a hilariously motley crew of thirteen detectives—from Maximum Smarts and the stealthy Agent 98 (with her Umbrella of Silence), to a germ-phobic sleuth and a fortune-telling Gypsy Rose—to scour the Queendom for the prized jewel. This fast-paced, madcap mystery overflows with quirky characters, comedic chaos, and a delightfully unexpected twist that “rings” true.

Missing Ring.png
URINETOWN SQUARE.jpeg

Urinetown, the Musical

music by Mark Hollman

lyrics by Mark Hollman and Greg Kotis

book by Greg Kotis

May 1-10, 2026

"Urinetown" is a darkly comedic musical satire where a drought has led to a government ban on private toilets, forcing citizens to pay to use public amenities run by a corrupt corporation. Blending sharp humor, biting social commentary, and over-the-top theatricality, it skewers capitalism, bureaucracy, and even the conventions of musical theatre itself.

bottom of page